Showing posts with label Science. Show all posts
Showing posts with label Science. Show all posts

Saturday, March 12, 2016

148. Uncle Tungsten - I. We begin


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Jump back to Previous: Righteous Mind - XIX. Moral entropy

Uncle Tungsten
by Oliver Sacks - Vintage edition 2001


My book club enjoyed Oliver Sacks' On the Move so much that we decided to add his Uncle Tungsten to our reading list. I thought it would just be autobiographical information about his childhood, I hadn't realized it was, in addition, a way of telling the story of the development of our current technological world, which is either based on science or, if you choose to view it this way, on the Mephistic Arts -- the un-natural powers Mephisto uses to assist Faust in his various adventures.

And I also hadn't anticipated that the story of Oliver Sacks' extended family would turn out to be the story of the bourgeoisie in miniature.  Despite Fernand Braudel's focus on the role of the Sephardic Jews in the growth of capitalism in the West, I tend to think first of the Calvinist contribution. But Sacks' Ashkinazi Jewish family is perfect in their outsider's isolation from the prior class structure combined with their amazing enthusiasm for science, technology, and participation in so many of the trends that left the old order behind and created a new order with so many unanticipated consequences. They are even entrepreneurial in advancing science.

The conclusion of all this is that I must blog this book as well. The challenge here is that Sacks uses his child self to recreate all the scientific steps that lead to our current understanding of the world. As readers, we learn things as he does which re-creates the steps of the great names of science in the very few scientific centuries leading up to our times. 

This is an inspired way to teach this history, but it is also frustrating because you can't discus the more profound levels of these subjects until the final secrets are revealed in the last chapters of the book. I am adopting yet another convention for this book, my comments will be color coded to distinguish notes made during my initial reading (in red) from notes made during this, second reading. 

I was also going to honor his method and refrain from going into the "electronic" aspects of chemistry (the ones that most interest me) until the end. Alas, that was too difficult. I will be explaining the phenomena he describes so that it makes sense to me -- when I can.


He begins with a description of his childhood home near Hampstead and all the questions about the world that he had as a strikingly inquisitive child. This is a sort of overture of the autobiographical and scientific topics that will be developed over the course of the book. (It would be possible to do a musical version of this book.) I'm going to skip his overture except to fill in the cast of characters: Besides his parents (both doctors) there are his brothers Marcus, David, and, closest to his age, Michael. Then the all important uncles: David (Uncle Tungsten), Abe (physics) and aunts, Birdie, Lina, Len, and more will be introduced later. Then his Landau grandfather -- no longer living.

These first several chapters do a wonderful job of depicting a comfortable, supportive, middle class life supported by family, the Jewish faith, and the science and technology of the age. And all this on the very cusp of the deluge as, with the start of the war in Europe in 1939, both Oliver and his brother Michael are evacuated out of London to attend a "safer" school in the countryside. 


Chapters 1-3.

p24 [Red indicates my original notes] Unrelated to what I'm interested in here, the teacher-turned-headmaster at the school the Sacks brothers attend seems to be unhinged by something relating to the new boarding school or the war. Or perhaps the power of his new position just brings out the worst in him. In any case, he is brutal to Oliver and Michael. Michael, as we know from On the Move, seems to be -- in his turn -- permanently unhinged by this experience and even Oliver is seriously affected.

The Greta the dachshund story seems to show, and I think this is what Sacks intends us to see, how young Oliver seems to have passed on his brutal treatment to the innocent Greta. This personal insight is very interesting. Child abuse, and child sexual abuse, is often passed down generation to generation. I've always been puzzled by the process or mechanism for this. 


p30 The other common consequence of abuse is dissociation -- and even finding refuge in a new personality. Sacks' creation of elaborate fictions that he passed off as reality makes it sound like he was pretty close to dissociation. And, of course, it was Michael who's personality was actually unhinged by this wartime exile experience. I have to say, given the long term consequences of the evacuation just on this one family, you have to wonder if it wouldn't have been better to have kept all the kids in London.

His extended family represents to a remarkable degree the bourgeois world order of science and trade. And being Jewish, they were in no way a part of the old Tory world order. Primo Levy (as we see him int The Periodic Table) is like this too, and I get the same feeling from Marcel's family in Lost Time, though that is supposed to be a middle class Catholic family. 

Monday, November 23, 2015

107. Faust - II. - Emergency



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Jump back to Previous: Faust - More than you bargained for

Goethe's Faust

Witch’s Kitchen 

From the Interpretive Notes: p 370 - “[Faust] ...an aging academic... generally assumed to be about fifty years old...”  Ouch!


The Gretchen Tragedy
There are two ways of looking at Faust’s keenness to deflower an innocent girl as his first act after the Bargain. On the one hand it shows he’s attracted to innocence and purity and beauty. On the other it’s quite perverse, though in keeping with what many would think seeking a “beautiful moment of fulfillment” might entail. 


From the Interpretive Notes: p 373 - “...the theme of seduction, predominant in domestic, middle-class drama and a preoccupation of the age... [lists examples including Marriage of Figaro, Liaisons dangereuses, Don Giovanni, Casanova’s Memoirs] was united with the essential dynamic power of will in Faust, his striving for infinite knowledge and experience...”

p 374 - “Gretchen, in her authentic love for Faust, emerges as the most powerful embodiment of the Feminine in the drama, the principle that defines the highest object of Faustian desire and ultimately serves... as the instrument of Faust’s salvation.”

p 375 - “Gretchen is far more complex than a mere innocent victim. Her social status... clearly reflects all the virtues of bourgeois life, even if under simple circumstances. She also represents genuine Christian virtues... Yet Gretchen proves susceptible to temptation in response to the jewels secured by the devil as a gift to her... Even more, she is subject to Faust’s flattery and apparent devotion... Goethe himself commented that, however much she may be the victim of Faust’s seduction, she is nonetheless guilty of infanticide... [she kills the baby since she can’t raise it as an unmarried girl] Her irresistible power and fascination as dramatic character, however, resides in the manner in which she grows and is transformed by her love for Faust and by the suffering it causes her. She is in truth the only character in the drama who evolves and develops in the course of the action... her love for him [Faust] proves to be a redemptive force, which is finally stronger than the devil’s wager with Faust.”

Gretchen and Christiane from The Elementary Particles -- what would they make of each other? 



Part Two

Charming Landscape
From the Interpretive Notes: p 392 “...What unites these other moments in the drama with this scene, and indeed unites the drama of Faust as a whole, is a fundamental attempt by Faust to comprehend human existence in its constantly varying temporal dimensions and its constant dependence on shifting forces of mind and will, which motivate all actions and thought, with reference to some ultimate and absolute power of spirit or divinity, either within nature and thus accessible to human experience or else above and beyond the natural world, transcending all knowledge and understanding. ”

p 394 “...The arrival of dawn solicits in Faust’s mind a reciprocal response, which manifests itself in his renewed desire, indeed in his (Faustian) ‘striving’ toward the highest mode of existence...”

“...The second stage delineated the heroic, ultimately tragic thrust of Faust’s mind toward a confrontation with divinity as it manifests itself in the light of the rising sun. Instantaneous blindness results from the overwhelming brightness of the sun, forcing Faust to turn away his gaze, thus reversing his basic stance in what amounts to a tragic turn of the mind.”

p 395 “...When he confronts the sun, Faust retreats, not to escape exposure, as was the case with Ariel and the spirits of nature, but to secure the conditions for reflective thought, which -- as Goethe knew from the entire history of German idealist speculation -- is the necessary condition for all conceptual knowledge and understanding...”

This would also seem to be a case of Faust going for Apollinian insight instead of the more profound Dionysian. And to expand on that thought, while Faust goes for the Apollinian, Zossima and Dostoyevsky's other surrogates in The Brothers K. seek the more mystical (if Christian) Dionysian.

“The final section of the monologue introduces one of Goethe’s most archetypal images of human experience. The life of a human being is symbolized by the waterfall as it plummets downward, crashing from rock cliff to rock cliff... [The Magic Mountain picnic?]  The force of the flowing water corresponds to the will or drive that constitutes Faustian striving. The clash of water and rock, however, produces a spray or mist that hovers above the waterfall. The fine water droplets, though in constant motion, are suspended as a constant veil, indistinguishable by the eye as either rise or fall. The term Wechseldauer... ‘in variance lasting’... applied to the resulting rainbow, indicates a central concept for Goethe with regard to the value of art as permanence in change... This mist is described as life’s ‘most youthful veil’... the concept of a veil is central to Goethe’s view of art, as indicated at the end of Act III, when Helena’s veil is transformed into a cloud that carries Faust back from Greece to Germany.”

“In this mist Faust discovers the ultimate symbolic sign for his reflections on the meaning of human existence. The mist catches the light of the sun as it shines through the air, each tiny droplet of water serving as a crystal from which the light is mirrored back and refracted, forming for the perceiving eye in the totality of this process a rainbow in its varied color. The image of the rainbow serves as symbol for the aspect of human creativity that constitutes art and poetry, indeed, human culture in the most general, all-inclusive sense of the term. This form of visual experience also remains accessible to Faust after he has turned away from the blinding light of the sun, providing a comprehensive and reliable mirror or ‘reflection’ of human striving... ‘This mirrors all aspiring human action.’ The depiction of the rainbow in its accurate scientific detail reflects Goethe’s extensive study of optics and color theory....”

p 396 - “The striving that constitutes Faust’s essential nature is thus sublimated into a reflection upon itself, a representation of itself as model or analogue for the work of art, in and through which the authentic light of the divine, which -- like the sun -- overwhelms human vision in direct confrontation, is refracted into the many-hued spectrum of the rainbow. In this sense the final line of Faust’s monologue describes the highest possible achievement of human art and culture, in Goethe’s view. That quality or aspect of life accessible to human experience -- the same force that beat again anew in Faust’s pulse at the dawn of this new day, affirmed at the outset of his monologue... is this multicolored refraction, which we may have and hold... Three levels of reflectivity are thus included in the symbol of the rainbow: 1) the mirroring and refracting of the sun’s light; 2) the cognitive perception of the refracted colors by the human eye; and 3) The conceptual comprehension of this visual experience by the mind, as demonstrated by the several reflective structures in the language of Faust’s monologue.” [Fuck me!, I didn’t get any of that reading the original lines. I think I need to quote lines 4698 to 4727] Here are the lines just interpreted:

Faust: “...But now the alp’s green slants have also shaken
The dusk, for gleam and contour newly minded,
And light descends triumphant, stepwise darting; --
He clears the rim! -- Alas, already blinded,
I turn aside, my mortal vision smarting.

“Thus also, as we yearningly aspire
And find at last fulfillment’s portals parting,
Wrung within tender reach our prime desire,
There will erupt from those eternal porches,
Dumbfounding us, exorbitance of fire;
We only meant to kindle up life’s torches,
And flame engulfs us, seas of torrid blazes!
Love? Hatred? Which? envelopes us and scorches,
Sends pain and joy in vast alternate phases,
Till we gaze back upon our homely planet
And shelter in most young of youthful hazes.

“So, sun in back, my eyes too weak to scan it,
I rather follow, with entrancement growing,
The cataract that cleaves the jagged granite,
From fall to fall, in thousand leaps, outthrowing
A score of thousand streams in its revolving,
From upflung foam a soaring lacework blowing.
But in what splendor from this storm evolving,
Vaults up the shimmering arc, in variance lasting,
Now purely limned and now in air dissolving,
A cooling fragrance all about it casting.
This mirrors all aspiring human action.
On this your mind for clearer insight fasten:
That life is ours by colorful refraction.”


Imperial Residence
Line 4895-4908
Mephisto: “...And who can raise it [underground gold] to the light of day?
Man’s gifts of Nature and of Mind, I say.

Chancellor: “Nature and Mind -- un-Christian address,
Your atheist burns at the stake for less,
Because such talk is dangerous and wild.
Nature is sin, the Mind is Satan,
Doubt they engender in their mating,
Their epicene misshapen child.
Not for this Empire! Only two professions
Have graced of old His Majesty’s possessions
And worthily support his throne:
Divines and knights -- they quell upheaval,
And as twin shields against all evil
Call justly church and state their own...”

Truly a Tory position. 


Narrow, High-Vaulted Gothic Chamber
p 415-418 - “...This sense of distance in time and experience is more important than any change within the character of Faust -- assuming that any change has occurred! -- since Faust himself is unconscious and unaware that Mephisto has brought him back [to his academic rooms]. We have no precise idea how much time has elapsed within the drama; but Goethe himself has in the interim developed from a youthful radical, experimenting with the legend of Faust, into the leading literary figure of Europe, the elderly sage of Weimar. During this time, furthermore, Europe itself, which serves as the cultural and social basis for Faust’s existential dilemma as man of learning, had been radically altered by the French Revolution and the Napoleonic era into what might best be described as the new bourgeois world of the nineteenth century, an era of technological industrialization and conservative retrenchment...”

“...Mephistopheles pulls a bell rope that causes a great clangor and opens all doors, signaling an epochal moment of great significance... The Famulus stands for the status quo of learning, a symbol of trivial pedantry, whose primary function is to preserve all Faust’s scholarly materials as he left them; the Baccalaureus [previously the starting student] storms in with a blatant and boundless arrogance, measuring his own sense of growth against what seems to him a static world of dead learning [not unlike Faust’s]... The politics of the so-called Burschenschaften [radical student groups in German universities after the Napoleonic wars] reflected a boundless self-confidence that quickly came into direct conflict with the conservative and even reactionary powers of the state [the process that resulted in my ancestors migrating to the U.S.]... the Baccalaureus demonstrates also an intensification of Faust’s original rejection of all academic learning and authority. His assertion that all who have passed their thirtieth year are useless and might as well be put to death elicits an ironic aside from the devil... In writing this scene... Goethe reaffirms his radical critique of academic learning in the context of the Faust legend, though here with a sophisticated and pertinent sense of the ways in which the modern university had developed during the great gap of time since he first began work on the drama. In 1770, the model university for Goethe would have been either Leipzig or Strassburg, where he had recently been a student; in 1829, the model had shifted to the University of Berlin, founded in 1810 by Wilhelm von Humboldt, which by this time had become the center of Hegel’s philosophical school and where modern experimental science was quickly assuming a central place....” 

“Epochal significance may be ascribed to Mephistopheles’ ringing the bell, which shakes the entire structure of the Gothic hall with its sound and causes all the doors to fly open, doors hitherto locked and sealed shut, as if to symbolize the imprisonment of dead knowledge from which Faust first suffered [Though it is interesting that it is Mephisto who does this] ... Wagner [Faust's Famulus] associates the sense of epoch with the critical moment of his chemical experiment, in which -- like a modern alchemist, closely resembling Dr Frankenstein in Mary Shelly’s novel, published less than a decade earlier -- he seeks to synthesize a human being. The emergence of Homunculus in the next scene, which succeeds (we surmise) only because of the infernal assistance provided at the last moment by Mephistopheles, is merely the external sign of what this epoch signifies for the drama. The true liberation of the Faustian mind from imprisonment in itself is about to occur through a radical physical and spatial displacement into the festival of the ‘Classical Walpurgis Night,’ leading to the ‘Phantasmagoria’ of the Helena act, in which Faust and the ideal of classical beauty are married and produce their offspring, Euphorion, the self-consuming spirit of poetry. Liberation of the reflective self through erotic longing for the Feminine... Mephisto’s ringing the bell is thus a signal of liberation, not only for the spirit of Homunculus in Wagner’s experiment but also for the unconscious Faust in his dream quest for Helena....”

Laboratory
p 419 - “...according to a natural impulse that is eminently Faustian, the disembodied spirit of Homunculus [a being of pure spirit created in a test tube] strives from the moment of its creation and appearance on the scene to achieve substantiality, to become material, that is, to find a body and become alive within the world of nature. In this regard, Homunculus’s quest for physical existence is analogous to Faust’s search for Helena....” 

But more than that it contrasts with the usual drive to escape the body into pure spirit. Homunculus is the anti-transcendentalist and, like Nietzsche’s Olympian gods, affirms “life” through his desire to participate in it. I do wonder, however, what makes “him” male? It would make more sense to me if it was female spirit. This is all the more true as Homunculus is god-like in most every way. Am I going to have to read Mary Shelley, too? [Yes, I did.] Goethe also makes clear that Homunculus is untainted by Christianity and the Medieval mind-set that shaped Mephisto. 



Emergency
This afternoon I had something like Marcel's Madeline & tisane moment... but different. I was walking past the neighborhood hospital, as I do multiple times a week, and have done for decades, when I found myself face to face with someone being rolled into the Emergency room from an ambulance. I've seen this many times before but perhaps my angle was different or I was simply in a different state of mind. At any rate, I suddenly was aware of how odd this arrangement of a hospital Emergency entrance is.

Normally, the Emergency room has it's own separate drive-in entrance with a parking area reserved for emergency vehicles. But this is a very urban hospital that is built-out to the sidewalk. Aside from some loading docks on the opposite side, the only way to enter is through the doors. It isn't at all unusual to see the curb lined with ambulances and, because this is a very busy facility, to even see ambulances double parked. There isn't even an awning so if you arrive on a rainy day you are going to get wet on your way in. I can imagine times when that could either be a lovely thing or the last straw. This hospital is home to the regional burn center. If you're burned badly enough to be transported here a little rain would be the least of your worries. Probably you wouldn't even notice. 

A new, much bigger, hospital is under construction five blocks away. When it opens I imagine much of the traffic that currently comes to my hospital will go there instead -- except for the burn cases. I'm sure the new facility will have a separate Emergency vehicle entrance and off-street space for ambulances -- though I haven't seen detailed plans for that yet (none of the images I can find online show the Emergency entrance).

Despite never having thought about it in over 20 years, I do like that this hospital is so very urban and odd. Here's something, from Wiki, to ponder the next time someone tells you how they wish they could have lived in some idealized era before the 20th century:

Accident services were already provided by workmen's compensation plans, railway companies, and municipalities in Europe and the United States by the late mid-nineteenth century, but the first specialized trauma care center in the world was opened in 1911 in the United States at the University of Louisville Hospital in Louisville, Kentucky, and was developed by surgeon Arnold Griswold during the 1930s. Griswold also equipped police and fire vehicles with medical supplies and trained officers to give emergency care while en route to the hospital.[1][2][3]

Go U-of-L!


Jump to Next: Faust III. & Marco Scutaro

Saturday, November 7, 2015

91. TBK. Bk VI. 2.


Jump to Introduction & Chronology
Jump back to Previous: The Brothers K. Bk VI. 1. & "Knocking on Heaven's Door"

The Brothers Karamazov

Book VI. 2. What is the monk? What is hell?
p358 [Zossima speaks] Fathers and teachers, what is the monk? In the cultivated world the word is nowadays pronounced by some people with a jeer, and by others it is used as a term of abuse. This contempt for the monk is growing. It is true, alas, it is true, that there are many sluggards, gluttons and insolent beggars among the monks. Educated people point to these: “You are idlers, useless members of society, you live on the labor of others, you are shameless beggars.” And yet how many meek and humble monks there are, yearning for solitude and fervent prayer in peace. These are less noticed, or passed over in silence... in their solitude, they keep the image of Christ fair and undefiled, in the purity of God’s truth, from the times of the Fathers of old....

p359 That is my view of the monk, and is it false? Is it too proud? Look at the worldly and all who set themselves up above the people of God. Has not God’s image and His truth been distorted in them? They have science; but in science there is nothing but what is the object of sense. The spiritual world, the higher part of man’s being is rejected altogether, dismissed with a sort of triumph, even with hatred.

From this perspective, the good contemplative monk is the visible representation of good Orthodox Christianity. We may not be able to see God, but at least we can see people who exemplify or personify the Christian ideal.


The world has proclaimed the reign of freedom, especially of late, but what do we see in this freedom? Nothing but slavery and self-destruction! [Ivan says “Amen!”] For the world says: “You have desires and so satisfy them, for you have the same rights as the most rich and powerful. Don’t be afraid of satisfying them and even multiply your desires.” [Aldus Huxley says “Amen!”] That is the modern doctrine of the world. In that they see freedom. And what follows from this right of multiplication of desires? In the rich, isolation and spiritual suicide: [see Fyodor and Dmitri K.] in the poor, envy and murder. [Pavel. Spoiler: (we could end the novel here, but there’s more philosophy to cover.)] For they all have been given rights, but have not been shown the means of satisfying their wants. They maintain that the world is getting more and more united, more and more bound together in brotherly community, [Settembrini says “Amen!”] as it overcomes distance and sets thoughts flying through the air. [This is too early for radio, so I suppose he is thinking of the telegraph?] 

Alas, put no faith in such a bond of union. Interpreting freedom as the multiplication and rapid satisfaction of desires, men distort their own nature, for many senseless and foolish desires and habits and ridiculous beliefs are thus fostered. [This is almost laughable coming from someone speaking in praise of the kind of monks who are proud not to bathe and to wear weighted chains under their crude clothing and who persecute one another for the most inane theological variations from the “true path.”] They live only for mutual envy, for luxury and ostentation. To have dinners, carriages, rank and slaves to wait on one is looked upon as a necessity, for which life, honor and human feeling are sacrificed. Men even commit suicide if they are unable to satisfy these desires. We see the same thing among those who are not rich for the poor drown their unsatisfied need and their envy in drunkenness. But soon they will drink blood instead of wine [Michel Foucault says “Amen!”]. They are being led on to it. I ask you is such a man free?...

p360 ...Instead of serving the cause of brotherly love and the union of humanity, men have fallen, on the contrary, into dissension and isolation, as my mysterious visitor and teacher said to me in my youth. And therefore the idea of the service of humanity, of brotherly love and the solidarity of mankind, is more and more dying out in the world. Indeed this idea is sometimes treated with derision. For how can a man shake off his habits, what can become of him if he is in such bondage to the habit of satisfying the innumerable desires he has created for himself? He is isolated and what concern has he for the rest of humanity? Men have succeeded in accumulating a greater mass of objects, but the joy in the world has grown less. 

Epicurus and even the Cynics would agree with this anti-materialist view -- it’s worth noting that he is speaking against both the bourgeoisie and the gentry here. Not that solitude craving monks (desert or island based) are any better when it comes to “serving mankind.” 


The monastic way is very different. Obedience, fasting and prayer are laughed at, yet only through them lies the way to real, true freedom. I cut off my superfluous and unnecessary desires, I subdue my proud and wanton will and chastise it with obedience, and with God’s help I attain freedom of spirit and with it spiritual joy. Which is most capable of conceiving a great idea and serving it -- the rich man in his isolation or the man who has freed himself from the tyranny of material things and habits?

I can make a surprisingly similar argument in favor of the homeless drug addict. His commitment to spiritual transcendence through chemical abuse is a powerful thing. And, aside from the debris and filth he leaves in his wake, he lives amazingly lightly on the land. And I can’t say that his life is less satisfying for him than is the life of the monk -- though he is, perhaps, less in control of his bliss. And I’m not sure which of the two has a better grasp on their marbles. Were you to swap the lives of the monk, the addict, the Epicurean, and the Lucullan, I’m not sure if any would be happier or even less happy. Perhaps each would find the new life at variance with their nature. Perhaps some would find the new life just as or more satisfying.  It would actually be a fascinating experiment. 


p361 The monk is reproached for his solitude: “You have secluded yourself within the walls of the monastery for your own salvation, and have forgotten the brotherly service of humanity!” But we will see which will be most zealous in the cause of brotherly love. For it is not we, but they, who are in isolation, though they don’t see that. Of old, leaders of the people came from among us, and why should they not again? The same meek and humble ascetics will rise up and go out to work for the great cause. The salvation of Russia comes from the people. And the Russian monk has always been on the side of the people. We are isolated only if the people are isolated. The people believe as we do, and an unbelieving reformer will never do anything in Russia, even if he is sincere in heart and a genius. Remember that! The people will meet the atheist and overcome him, and Russia will be one and orthodox. Take care of the peasant and guard his heart. Go on educating him quietly. That’s your duty as monks, for the peasant has God in his heart.

Isn’t this what the Grand Inquisitor was doing? 

... I don’t deny that there is sin in the peasants too. The fire of corruption is spreading visibly, hourly, working from above downwards. The spirit of isolation is coming upon the people too. Moneylenders and devourers of society are rising up. The merchant grows more and more eager for rank and strives to show himself cultured though he has not a trace of culture. He despises his old traditions, and is even ashamed of the faith of his fathers. He visits princes, though he is only a peasant corrupted. The peasants are rotting in drunkenness and cannot shake off the habit. And what cruelty to their wives, to their children even! All from drunkenness! I’ve seen in the factories children nine years old, frail, rickety, bent and already depraved. The stuffy workshop, the din of machinery, work all day long, the vile language and the drink, the drink -- is that what a little child’s heart needs? He needs sunshine, childish play, good examples all about him, and love. There must be no more of this, monks, no more torturing of children. Rise up and preach that. Make haste, make haste!

So Ivan and Zossima are for the most part arguing for the same moral position but from different starting points. As usual we have the petite bourgeoisie criticized for being too uppity and not sophisticated enough. 

Here drink and poor working conditions are the bane of society whereas today it would be lack of work and a wider variety of chemicals like meth, cocaine, and huffable paints. Haste was not made. 


p362 But God will save Russia, for though the peasants are corrupt and cannot renounce their filthy sin, yet they know it is cursed by God and that they do wrong in sinning. Our people still believe in righteousness, have faith in God and weep tears of devotion.

Gissing’s Henry Ryecroft said something similar about the turn of the century English lower classes. 


It is different with the upper classes. They, following science, want to base justice on reason alone, not with Christ as before. They have already proclaimed that there is no crime, that there is no sin. And that’s consistent, for if you have no God what is the meaning of crime? In Europe the people are already rising up against the rich, and the leaders of the people are everywhere leading them to bloodshed and teaching them that their wrath is righteous. But their”wrath is accursed, for it is cruel.” But God will save Russia as He has saved her many times. Salvation will come from the people, from their faith and their meekness.

Enough of this “there is no crime without God” shit. Draco’s Code -- the origin of written law in the West -- is not motivated by religion but by a need to break the cycle of blood feud. That a “crime” is not a “sin” in the Christian sense doesn’t mean it isn’t still a crime against society. You could argue that a more secular society could use a more Draconian law code since there isn’t a God to sort things out in the after-life.  


...I’ve been struck all my life by the dignity of our people... I’ve seen it in spite of the degraded sins and poverty-stricken appearance of our peasantry. They are not servile, and even after two centuries of serfdom, they are free in manner and bearing, yet without insolence, and not revengeful and not envious. [I hadn’t realized that serfdom in Russia only started when the institution was already disappearing in Europe. And it was only established in parts of Russia, not the whole nation.] “You are rich and noble, you are clever and talented, well be so. God bless you. I respect you, but I know that I too am a man. By the very fact that I respect you without envy I prove my dignity as a man.”

This is not like Gissing's description of the English lower classes.

In truth if they don’t say this (for they don’t know how to say this yet) that is how they act... And would you believe it, the poorer our Russian peasant is, the more noticeable is that serene goodness for the rich among them are for the most part corrupt already. Much of this is due to our carelessness and indifference... I dream of seeing, and seem to be see clearly already, our future. It will come to pass, that even the most corrupt of our rich will end by being ashamed of his riches before the poor, and the poor, seeing his humility, will understand and give way before him, will respond joyfully and kindly to his honorable shame... Equality is to be found only in the spiritual dignity of man, and that will be understood among us. If we were brothers, there would be fraternity. But man will never agree about the division of wealth. . . . We preserve the image of Christ, and it will shine forth like a precious diamond to the whole world. So may it be, so may it be!

The “shame” of the rich before the poor is not yet in evidence, though I suppose their establishing themselves in enclaves of wealth where they only have to deal with the poor in the form of servants and the like, could indicate some degree of shame. And the ease with which the wealthy can manipulate the poor to vote against their own interest might indicate a tendency to “understand and give way” on the part of the poor -- though I think it is something else entirely. 

...
p365 And can it be a dream, that in the end man will find his joy only in deeds of light and mercy, and not in cruel pleasures as now, in gluttony, fornication, ostentation, boasting and envious rivalry of one with the other? I firmly believe that it is not a dream and that the time is at hand.... [Along with cheap, cold fusion power.] 

And we may ask the scornful: if our hope is a dream, when will you build your edifice and order things justly by your intellect alone, without Christ?... In truth, they have more fantastic dreams than we. They aim at justice, but, denying Christ, they will end by flooding the earth with blood, for blood cries out for blood, and he that taketh up the sword shall perish by the sword. And if it were not for Christ’s covenant, they would slaughter one another down to the last two men on earth. And those two last men would not be able to restrain each other in their pride, and the one would slay the other and then himself. That would come to pass, were it not for the promise of Christ that for the sake of the humble and meek the days shall be shortened. 

Where does he get this? Is there any evidence that Christian nations are more peaceful than non-Christian nations? The history of Christian Europe until the middle of the 20th century was a history of war. 


[I’m skipping much of Zossima’s lovely views on how good monks should live, but I will include this:] p368 ...Much on earth is hidden from us, but to make up for that we have been given a precious mystic sense of our living bond with the other world, with the the higher heavenly world, and the roots of our thoughts and feelings are not here but in other worlds. That is why the philosophers [Kant?] say that we cannot understand the reality of things on earth.

God took seeds from different worlds and sowed them in this earth, and His garden grew up and everything came up that could come up. But what grows lives and is alive only through the feeling of its contact with other mysterious worlds. If that feeling grows weak or is destroyed in you, the heavenly growth will die away in you. Then you will be indifferent to life and even grow to hate it. That’s what I think.

Interestingly, this idea of “seeds from different worlds” is similar to current ideas that earth was “seeded” with proto-life from comets. In both cases this is not entirely satisfying since it ignores the question of how these “seeds” formed on other worlds. Pretty much any story that begins, “In the beginning...” is problematic. 


p369 Remember particularly that you cannot be a judge of anyone. For no one can judge a criminal, unless he recognizes that he is such a criminal as the man standing before him, and that he perhaps is more than all men to blame for that crime. [This is esoteric, though Dostoyevsky seems to feel strongly about it.] When he understands that, [not yet] he will be able to be a judge. Though that sounds absurd, it is true. If I had been righteous myself, perhaps there would have been no criminal standing before me. [?] If you can take upon yourself the crime of the criminal your heart is judging, take it at once, suffer for him yourself, and let him go without reproach. And even if the law itself makes you his judge, act in the same spirit so far as possible, for he will go away and condemn himself more bitterly than you have done. If, after your kiss, he goes away untouched, mocking at you, do not let that be a stumbling block to you. It shows his time has not yet come. But remember it will come in due course. And if it comes not, no matter; if not he, then another in his place will understand and suffer, and judge and condemn himself, and the truth will be fulfilled. Believe that. Believe it without doubt for in that lies all the hope and faith of the saints.

There’s a pantheistic way of understanding this: As part of God, we are co-authors of this world and of the criminal. And as co-authors we can hardly “judge” the actions of our characters. Though you could also say that in the situation above we are responsible for future crimes committed by the criminal we have “let go.” 


p371 Fathers and teachers, I ask: “What is hell?” I maintain that it is the suffering of being unable to love...

They talk of hell fire in the material sense. I don’t go into that mystery and I shun it. But I think that if there were fire in the material sense, they would be glad of it, for, I imagine, that in material agony, their greater spiritual agony would be forgotten for a moment...



Several models are suggested for the character Zossima including Tikhon of Zadonsk and "The Life of the Elder Leonid" and Staretz Amvrosy -- also known as Ambrose of Optina.


Jump to Next: God's Hotel

Tuesday, March 24, 2015

56. The Periodic Table - chapter 4 - Iron



Jump to Introduction + Chronology

Jump back to Previous: The Periodic Table - chapter 3

March 24, 2015




Not only does this relate to The Magic Mountain but it goes so nicely with Doctor Faustus as well. I only regret that I didn’t save my section on Mussolini (see Here). Maybe I will have to revise that.


p37 Night lay beyond the walls of the Chemical Institute, the night of Europe: Chamberlain had returned from Munich duped, Hitler had marched into Prague without firing a shot, Franco had subdued Barcelona and was ensconced in Madrid. Fascist Italy, the small-time pirate, had occupied Albania, and the premonition of imminent catastrophe condensed like grumous dew in the houses and streets, in wary conversations and dozing consciences.


But the night did not penetrate those thick walls; Fascist censorship itself, the regime’s masterwork, [Mussolini had been a member of the socialist press before the Great War and what he learned from that experience was not the virtue of freedom of the press but the necessity to control the press if you wanted to control people] kept us shut off from the world, in a white, anesthetized limbo. About thirty of us had managed to surmount the harsh barrier of the first exams and had been admitted to the second year’s Qualitative Analysis laboratory...


p38 ...here the affair had turned serious, the confrontation with Mother-Matter, our hostile mother, was tougher and closer. At two in the afternoon, Professor D., with his ascetic and distracted air, handed each of us precisely one gram of a certain powder: by the next day we had to complete the qualitative analysis, that is, report what metals and non-metals it contained. Report in writing, like a police report, only yes and no, because doubts and hesitations were not admissible: it was each time a choice, a deliberation, a mature and responsible undertaking, for which Fascism had not prepared us, and from which emanated a good smell, dry and clean.


Some elements, such as iron and copper, were easy and direct, incapable of concealment; others, such as bismuth and cadmium, were deceptive and elusive. There was a method, a toilsome, age-old plan for systematic research, a kind of combined steamroller and fine-toothed comb which nothing (in theory) could escape, but I preferred to invent each time a new road, with swift, extemporaneous forays, as in a war of movement, instead of the deadly grind of a war of position... One way or another, here the relationship with Matter changed, became dialectical: it was fencing, a face-to-face match. Two unequal opponents: on one side, putting the questions, the unfledged, unarmed chemist, at his elbow the textbook by Autenrieth [Dr. Wilhelm Autenrieth, apparently, about whom I can find very little except that he was a German chemist at the University of Freiburg] as his sole ally (because D., often called to help out in difficult cases, maintained a scrupulous neutrality, refused to give an opinion: a wise attitude, since whoever opens his mouth can put his foot in it, and professors are not supposed to do that); on the other side, responding with enigmas, stood Matter, with her sly passivity, ancient as the All and portentously rich in deceptions, as solemn and subtle as the Sphinx. I was just beginning to read German words and was enchanted by the word Urstoff (which means “element”: literally, “primal substance”) and by the prefix Ur which appeared in it and which in fact expresses ancient origin, remote distance in space and time. [As in Urfaust]


...


p39 Through the murk [of the poorly ventilated laboratory] and in the busy silence, we heard a Piedmontese voice say:... “I announce to you a great joy. We have iron.” It was march 1939, and a few days earlier an almost identical solemn announcement (“Habemus Papam”) had closed the conclave that had raised to Peter’s Throne Cardinal Eugenio Pacelli, in whom many put their hopes, since one must after all put one’s hope in someone or something. The blasphemous announcement came from Sandro, the quiet one.


In our midst, Sandro was a loner, He was a boy of medium height, thin but muscular, who never wore an overcoat, even on the coldest days... He had large, calloused hands, rugged profile, a face baked by the sun, a low forehead beneath the line of his hair, which he wore very short and cut in a brush. He walked with the peasant’s long, slow stride.


p40 A few months before, [1938] the racial laws against the Jews had been proclaimed, and I too was becoming a loner. My Christian classmates were civil people; none of them, nor any of the teachers, had directed at me a hostile word or gesture, but I could feel them withdraw and, following an ancient pattern, I withdrew as well: every look exchanged between me and them was accompanied by a minuscule but perceptible flash of mistrust and suspicion. What do you think of me? What am I for you? The same as six months ago, your equal who does not go to Mass, or the Jew who, as Dante put it, “in your midst laughs at you”?


I had noticed with amazement and delight that something was happening between Sandro and me. It was not at all a friendship born of affinity; on the contrary, the difference in our origins made us rich in “exchangeable goods,” like two merchants who meet after coming from remote and mutually unknown regions. [a very bourgeois way of putting it] Nor was it the normal, portentous intimacy of twenty-year-olds: with Sandro I never reached this point. I soon realized that he was generous, subtle, tenacious, and brave, even with a touch of insolence, but he had an elusive, untamed quality; so that, although we were at the age when one always has the need, instinct, and immodesty of inflicting on one another everything that swarms in one’s head [Mann’s “straw-threshing” from Doctor Faustus?] and elsewhere (and this is an age that can last long, but ends with the first compromise), nothing had gotten through his carapace of reserve, nothing of his inner world, which nevertheless one felt was dense and fertile -- nothing save a few occasional, dramatically truncated hints. He had the nature of a cat with whom one can live for decades without ever being permitted to penetrate its sacred pelt.


We had many concessions to make to each other. I told him we were like cation and anion, but Sandro did not seem to acknowledge the comparison... He was the son of a mason and spent his summers working as a shepherd. Not a shepherd of souls: a shepherd of sheep, and not because of Arcadian rhetoric or eccentricity, but happily, out of love for the earth and grass and an abundance of heart. He had a curious mimetic talent, and when he talked about cows, chickens, sheep, and dogs he was transformed, imitating their way of looking, their movements and voices, becoming very gay and seemed to turn into an animal himself, like a shaman. He taught me about plants and animals, but said very little about his family... He was not interested in Catullus and Descartes, he was interested in being promoted, and spending Sunday on his skis and climbing rocks. He had chosen chemistry because he had thought it better than other studies; it was a trade that dealt with things one can see and touch, a way to earn one’s bread less tiring than working as a carpenter or a peasant.


p41 We began studying physics together, and Sandro was surprised when I tried to explain to him some of the ideas that at the time I was confusedly cultivating. That the nobility of Man, acquired in a hundred centuries of trial and error, lay in making himself the conqueror of matter, [nature?] and that I had enrolled in chemistry because I wanted to remain faithful to this nobility. That conquering matter is to understand it, and understanding matter is necessary to understanding the universe and ourselves: and that therefore Mendeleev’s Periodic Table, which just during those weeks we were laboriously learning to unravel, was poetry, loftier and more solemn than all the poetry we had swallowed down in liceo; and come to think of it, it even rhymed! That if one looked for the bridge, the missing link, between the world of words and the world of things, one did not have to look far: it was there, in our Autenrieth, in our smoke-filled labs, and in our future trade.



It would be hard to find a better spokesman for the “scientific” or “Socratic” (from Nietzsche) or “Mephistophelian” (from Goethe) view of existence that we’ve read so much deprecation of. That Turin was also Nietzsche’s base in Italy makes this even better.

p42 And finally, and fundamentally, an honest and open boy, did he not smell the stench of Fascist truths which tainted the sky? Did he not perceive it as an ignominy that a thinking man should be asked to believe without thinking? Was he not filled with disgust at all the dogmas, all the unproved affirmations, all the imperatives? He did feel it; so then, how could he not feel a new dignity and majesty in our study, how could he ignore the fact that the chemistry and physics on which we fed, besides being in themselves nourishments vital in themselves, were the antidote to Fascism which he and I were seeking, because they were clear and distinct and verifiable at every step, and not a tissue of lies and emptiness, like the radio and newspapers?


Sandro listened to me with ironical attention, always ready to deflate me with a couple of civil and terse words when I trespassed into rhetoric. But something was ripening in him (certainly not all my doing; those were months heavy with fateful events), something that troubled him because it was at once new and ancient... he began to study and his average shot up from C to A. At the same time, out of unconscious gratitude, and perhaps also out of a desire to get even, he in turn took an interest in my education and made it clear to me that it had gaps. I might even be right; it might be that Matter is our teacher and perhaps also, for lack of something better, our political school; but he had another form of matter to lead me to, another teacher: not the powders of the Analytical Lab but the true, authentic, timeless Urstoff, the rocks and ice of the nearby mountains. He proved to me without too much difficulty that I didn’t have the proper credentials to talk about matter. What commerce, what intimacy had I had, until then, with Empedocles’ four elements? Did I know how to light a stove? Wade across a torrent? Was I familiar with a storm high up in the mountains? The sprouting of seeds? No. So he too had something vital to teach me.


p43 A comradeship was born, and there began for me a feverish season. Sandro seemed to be made of iron, and he was bound to iron by an ancient kinship: his father’s fathers, he told me, had been tinkers (magnin) and blacksmiths in the Canavese valleys: they made nails on the charcoal forges, sheathed wagon wheels with red-hot hoops, pounded iron plates until deafened by the noise; and he himself when he saw the red vein of iron in the rock felt he was meeting a friend. [This is where non-fiction suffers. If Sandro were a fictional character he would not be associated with metallurgy -- man's first break with the natural order of things, our first infernal detour under the skin of the earth. Literally changing the substance of the world into new and un-natural things for our pleasure.] In the winter when it suddenly hit him, he would tie his skis on his rusty bike, leaving early in the morning and pedaling away until he reached the snow, without a cent, an artichoke in one pocket and the other full of lettuce; then he came back in the evening or even the next day, sleeping in haylofts, and the more storms and hunger he suffered the happier and healthier he was.


That final phrase “...the more storms and hunger he suffered the happier and healthier he was” is almost a statement of philosophy in itself. A few words on the bicycle. What we today recognize as a bicycle only took form in the 1890s and then, while Susan B. Anthony referred to it as a “freedom machine” it was only available to the elite. It wasn’t until a decade or two into the 20th century that the bicycle became accessible to the average person and even then it was quite primitive compared with what we rode in the 1970’s, for example. As a transportation technology the bicycle did much of what the automobile would later do at an even greater range. I mention this only to call attention to what would have been seen in the 19th century as the revolutionary mobility of Sandro on his bike, riding off to ski or climb mountains. Sandro’s day ski trip would have taken Nietzsche (even if his health had been up to it) many days on foot in the previous century.


I’m going to skip the lengthy section on rock climbing. In part because it isn’t crucial to the chapter, but also because rock climbing has always seemed pointless to me -- I admit and admire the skill required but I would rather hike around the rock face and flank the mountain instead of conquering it. I am reminded of what Mark Twain said about golf, “Golf is a good walk spoiled.” I agree and feel the same way about rock climbing.
...


p45 To see Sandro in the mountains reconciled you to the world and made you forget the nightmare weighing on Europe. This was his place, what he had been made for, like the marmots whose whistle and snout he imitated: in the mountains he became happy, with a silent, infectious happiness, like a light that is switched on. He aroused a new communion with the earth and sky, into which flowed my need for freedom, the plenitude of my strength, and a hunger to understand the things he had pushed me toward. We would come out at dawn, rubbing our eyes, through the small door of the Martinotti bivouac, and there, all around us, barely touched by the sun, stood the white and brown mountains, new as if created during the night that had just ended and at the same time innumerably ancient. They were an island, an elsewhere. 


You can search Martinotti bivouac yourself for endless images. I'm going to include a video of the park Martinotti is located in. Marmots are really the big thing there, apparently.



...


[After being stranded in the mountains overnight after an “easy” (according to the guide book) route turns into a nightmare,] p48 ...we went back down to the valley under our own steam; and to the innkeeper who asked us, with a snicker, how things had gone, and meanwhile was staring at our wild, exalted faces, we answered flippantly that we had had an excellent outing, then paid the bill and departed with dignity. This was it -- the bear meat; and now that many years have passed, I regret that I ate so little of it, for nothing has had, even distantly, the taste of that meat, which is the taste of being strong and free, free also to make mistakes and be the master of one’s destiny. That is why I am grateful to Sandro for having led me consciously into trouble, on that trip and other undertakings which were only apparently foolish, and I am certain that they helped me later on.


They didn’t help Sandro, or not for long. Sandro was Sandro Delmastro, the first man to be killed fighting in the Resistance with the Action Party’s Piedmontese Military Command. After a few months of extreme tension, in April of 1944 he was captured by the Fascists, did not surrender, and tried to escape from the Fascist Party house in Cuneo. He was killed with a tommygun burst in the back of the neck by a monstrous child-executioner, one of those wretched murderers of fifteen whom Mussolini's Republic of Salo recruited in the reformatories. His body was abandoned in the road for a long time, because the Fascists had forbidden the population to bury him.

Today I know that it is a hopeless task to try to dress a man in words, make him live again on the printed page, especially a man like Sandro. He was not the sort of person you can tell stories about, nor to whom one erects monuments -- he who laughed at all monuments: he lived completely in his deeds, and when they were over nothing of him remains -- nothing but words, precisely.


Ion
“An ion ... is an atom or molecule in which the total number of electrons is not equal to the total number of protons, giving the atom or molecule a net positive or negative electrical charge.
Ions can be created, by either chemical or physical means, via ionization. In chemical terms, if a neutral atom loses one or more electrons, it has a net positive charge and is known as a cation. If an atom gains electrons, it has a net negative charge and is known as an anion. An ion consisting of a single atom is an atomic or monatomic ion; if it consists of two or more atoms, it is a molecular or polyatomic ion. Because of their electric charges, cations and anions attract each other and readily form ionic compounds, such as salts.
In the case of physical ionization of a medium, such as a gas, what are known as "ion pairs" are created by ion impact, and each pair consists of a free electron and a positive ion.[2]” -Wiki


“In chemistry, a valence electron is an electron that is associated with an atom, and that can participate in the formation of a chemical bond; in a single covalent bond, both atoms in the bond contribute one valence electron in order to form a shared pair. The presence of valence electrons can determine the element's chemical properties and whether it may bond with other elements: For a main group element, a valence electron can only be in the outermost electron shell. In a transition metal, a valence electron can also be in an inner shell.
An atom with a closed shell of valence electrons (corresponding to an electron configuration s2p6) tends to be chemically inert. Atoms with one or two more valence electrons than are needed for a "closed" shell are highly reactive because the extra valence electrons are easily removed to form a positive ion. Atoms with one or two valence electrons fewer than are needed to form a closed shell are also highly reactive because of a tendency either to gain the missing valence electrons (thereby forming a negative ion), or to share valence electrons (thereby forming a covalent bond).
Like an electron in an inner shell, a valence electron has the ability to absorb or release energy in the form of a photon. An energy gain can trigger an electron to move (jump) to an outer shell; this is known as atomic excitation. Or the electron can even break free from its associated atom's valence shell; this is ionization to form a positive ion. When an electron loses energy (thereby causing a photon to be emitted), then it can move to an inner shell which is not fully occupied.” -Wiki


This is some basic chemistry and physics you will need to know -- or that at least will add to what you get from reading this book. Levi, above, compares people to “cations” and “anions.” This is perhaps just a fancy way of saying that opposites attract, but you can go even further than that if you consider what was said above about valence electrons.

Some people have closed shells and are socially inert. Other people, to the extent that they are like anions or cations, may be charismatic types that provide for people, who feel at a loss, that which they lack. A smoothly operating cult could be viewed as a nest of covalent bonds.



Iron (Fe 26)
“Its abundance in rocky planets like Earth is due to its abundant production by fusion in high-mass stars, where the production of nickel-56 (which decays to the most common isotope of iron) is the last nuclear fusion reaction that is exothermic. Consequently, radioactive nickel is the last element to be produced before the violent collapse of a supernova scatters precursor radionuclide of iron into space...


Crude iron metal is produced in blast furnaces, where ore is reduced by coke to pig iron, which has a high carbon content. Further refinement with oxygen reduces the carbon content to the correct proportion to make steel. ” -Wiki

What interests me here is that iron, and this works perfectly with the way “iron” is used in this chapter, is initially produced in the furnace of just-about-to-die stars and then, to create usable iron and steel items, we again have to pass it through a blast furnace.

Jump to Next: The Periodic Table - chapter 5